1. |
C 95
01:04
|
|
||
2. |
Bb 150
01:18
|
|
||
3. |
F 90
01:29
|
|
||
4. |
C 80
01:14
|
|
||
5. |
G 138
01:11
|
|
||
6. |
B 174
01:10
|
|
||
7. |
A 98
01:06
|
|
||
8. |
Db 166
01:15
|
|
||
9. |
B 102
01:33
|
|
||
10. |
Gb 134
01:14
|
|
||
11. |
Bb 91
01:28
|
|
||
12. |
Ab 96
01:03
|
|
||
13. |
Eb 122
01:04
|
|
||
14. |
Db 114
01:09
|
|
||
15. |
F 130
01:00
|
|
||
16. |
C 108
01:12
|
|
||
17. |
G 94
02:00
|
|
||
18. |
D 84
01:10
|
|
||
19. |
A 146
01:24
|
|
||
20. |
E 88
01:36
|
|
||
21. |
B 154
01:17
|
|
||
22. |
Gb 92
01:06
|
|
||
23. |
Db 82
01:00
|
|
||
24. |
Ab 142
01:10
|
|
||
25. |
Eb 86
01:14
|
|
||
26. |
Bb 100
01:03
|
|
||
27. |
D 118
01:16
|
|
||
28. |
A 81
01:40
|
|
||
29. |
E 126
01:02
|
|
Nora Nygard Minneapolis, Minnesota
I've always been searching. Drumming in punk bands. Singing into a cassette mic alone. Trans angst, alienation, going on the road. Synthesis, tape, poetry. Two failed tours, two failed degrees. Reclaiming my voice from the choir, reshaping my voice after punk rock. Years of isolation, hormone therapy, production studies, and hundreds of releases with various projects. ... more
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